Anyone who works in the art restoration industry knows that the work they perform takes a delicate touch and fumes or airborne contaminants from the chemicals used during this process could endanger not only the worker, but also the art.
Since certain pieces of artwork need to be preserved at the highest standard so the object, artifact or painting can last for as long as possible, art restorers must use different solvents and thinners to get pieces looking their best. According to Art Sparx, a solvent can break down paint and varnish components to successfully get colors and surfaces to look like they were just painted.
Dust, moisture, and other factors all can turn artwork into ruined or damaged pieces if they are not properly restored over the years. Eventually, artwork on any sort of canvas or paper will begin to lose its color without the right solvents, the source reported.
Art Restoration Solvents Can Cause Serious Side Effects
When solvents are exposed to the human body, such as on-hand and eyes or inhaled, serious health risks are a concern if the art restoration process is not performed in a well-controlled air environment. According to an article from L. Dei, P. Baglioni, and G. Sarti, titled “Aging Effects on Ammonium Carbonate/Acetone Solutions and Cleaning Works of Art,” ammonium carbonate solutions are the most popular methods to clean specific pieces of artwork.
“By applying this solution to the surface with cotton wool, wood pulp or paper poultices, it is possible to remove many kinds of dirt,’ for example, soot, present on works of art such as wall paintings, marble, and stone,” the report stated. “Generally speaking, cleaning with these aqueous solutions is not sufficient and restorers, therefore, use organic solvents to remove water-insoluble impurities.”
Even though these chemical solvents are used on a regular basis, the hazards of ammonium carbonate can cause eye and skin irritation, digestive tract irritation, and result in respiratory tract irritation as well, a material safety data sheet from Iowa State University reported.
To prevent these harmful contaminants from lingering in the air and harming art restorers, facilities need to invest in benchtop fume extractors to catch the hazardous airborne contaminants at the source. This equipment is ideal for anyone in the art restoration industry because it can fit most working spaces and helps remove harmful airborne particles from the workspace even if it’s a high-capacity facility.